In my work, I explore our relationship with time, challenging the conventional notion of its linearity. The way we experience memory, emotion, and our connection to lived spaces does not adhere to a strict chronological order—instead, past and present continuously overlap, shaping our perception of place and identity.

Many of my memories are rooted in Old Queenslander buildings, spaces that have been shared, exchanged, and repurposed across generations. The marks left on floorboards, the patched walls, or a single mismatched window frame all tell fragmented stories of lives lived before—moments from the past subtly seeping into the present. These physical traces act as reminders that time is not something that simply moves forward; it lingers, layers, and loops back on itself. 

Within these spaces, formative human experiences stack upon one another, coexisting in a quiet, unseen dialogue. I hope viewers find a sense of recognition in these scenes, prompting reflection on their own lived experiences and inviting contemplation of the interconnectedness of time, place, and the human experience.